- Aboubakar Fofana
- Accra Map
- Africa center The Netherlands
- Africa map
- Africa Museum The Netherlands
- African Studies Center | University of Pennsilvania
- Aftershave / Jos
- Art Moves Africa
- Artist – Ahmet Ogut
- Artist – Emeka Ogboh
- Artist – George Osodi
- artist – Uche James Siroha
- Artiste Initiatives – Pist
- Artistes Intiatives – 5533
- Artistes Intiatives – Artık Mekan
- Artistes Intiatives – Atılkunst
- Artistes Intiatives – BAS
- Artistes Intiatives – Daralan
- Artistes Intiatives – Kurye Video Organization
- Artistes Intiatives – Masa Projesi
- Artistes Intiatives – Ura
- Artists Alliance gallery
- Artists in Ghana
- Arts in Africa
- Awa Meite
- Bamako Culture
- Bambara Blues
- BBC-Country profile Ghana
- BBC-Countryprofile Mali
- BBC-Countryprofile Tukye
- BBC-Coutryprofile Nigeria
- Bernard Akoi-Jackson
- Biennale Dakar
- Blog – Ahmet Ogut
- Blog – Bisi Silva
- BM Suma, Contemporary Art Center
- Center for Contemporary Art Lagos
- Centre Culturel Francais
- Centre Soleil d'Afrique
- CFC – Communicating for Change
- Club Dogstar
- Coffins in Ghana
- Conservatoire des arts et métiers multimédia
- Daire Sanat
- Daoula Festival
- Derin Design
- Documentary on Nollywood
- Dutch embassy Bamako
- Fondation Blanchere
- Foto Africa
- Foundation for Contemporary Art
- Foundation.Ben Enwonu
- Galerie Karşı Sanat Çalışmaları
- Gallery – Mydrim
- Gallery Nev
- Gallery Rodeo
- Gallery.Arthouse Contemporary Lagos
- Ghana Map
- Glendora Bookshop
- Grand Hotel De Londra
- Guild of Fine Arts
- IKSV (Istanbul foundation for culture & Arts)
- Istanbul 2010
- Istanbul Modern Sanat Müzesi
- Istanbul Santral
- John Owoo
- Ko-Falen Cultural Center
- Lagos – Koolhaas
- Lagos Bookartfestival
- Lekki Conservation Centre
- Malick Sidibe Images
- Mediamatic travel
- Meschac Gaba (MCA)
- Midpoint Restaurant
- Museum – Tropenmuseum
- Museum voor Volkenkunde – Leiden
- Museum.Africa Museum Belgium
- Museum.Akbank Sanat
- National Museum of Mali
- Nigerian Cultural center
- Nike Art Centre
- Nollywood on Wikipedia
- Nubuke Foundation
- Organic Cotton Platform
- Palais de la Culture
- Picture Archive on Nigeria from the 1930 by Gwilym Iwan Jones
- Platform Garanti
- Position Magazine
- Proje4L/Elgiz Museum of Contemporary Art
- Puma | Creative Africa Network
- Restaurant 360°
- S.Ü. Sakip Sabanci Müzesi
- Sansa Ghana
- Segou Festival
- Smithsonian National Museum of African Art
- Tei Mensah Huagie
- The Contemporary African Art Collection (CAAC)
- The House Cafe
- The National Museum in Accra
- The Netherlands Consulate-General at Istanbul
- The Norwegian Council for Africa (NCA) on Mali
- The Norwegian Council for Africa (NCA) on Nigeria
- The Pera Museum
- The Power of Culture
- The Visual Arts Society of Nigeria (VASON)
- Topkapi Palace
- Turkish Culture
- Universes in universe
- VEDST Theatre group
- VGHB KOC Foundation
- Wikipedia on Accra
- Wikipedia on Ghana
Some additional information:
– Here is a link to the photo stream of BM Suma in Istanbul.
– Yaşar, whom me met at BM Suma, also e-mailed me the pdf files of the Diwan Project magazine: rub091109_Istanbul_Einzelseiten_1-28
– Finally, a newsletter from Bamako with some news on the local art scene: Artisttik Africa numéro 13_StationGareMali
Saturday night we got up at two in the morning and were taken to the airport at 2h30. Everyone was tired, of course, and a bit bleary-eyed. We were happy and excited to get home, finally, but also a bit sad because being in this sort of waiting limbo creates a sort of state outside of the normal which allows you to forget about work and things you need to do when you get home. There is simply nothing else you can do but wait and make the best of it while you’re at it.
Our group got smaller and smaller and it was sad to have to say goodbye to one person after the other. The Dutch are still waiting in Paris for a flight to Amsterdam, the Norwegians will fly home around 7 PM and Ana from Sao Paolo is in for the longest wait, her flight leaves at 11 PM tonight. If all is well the others are almost home.
So, this is it for now. Thanks for following the blog and commenting on our posts with suggestions and ideas.
Our flight has been cancelled and we spent the day waiting in Bamako, catching up on sleep, paying some final visits to people or places we wanted to see (again), bought presents for those waiting at home for us.
In all likelihood, we will leave tomorrow morning around 5 o’clock.
After the evaluation we went to the studio of Malick Sidibé, the famous photographer. He wasn’t there unfortunately but his son took our group photo. The studio was really small and full of old camera’s. The studio set-up was tiny as well and it was amazing to realize that he took so many great pictures there. We barely fitted in the small space with the 17 of us but we managed and we will soon have an amazing group picture.
Some of us tried out the studio of the famous master!
And this is the try-out of the group portrait!
After this we went straight to the home and studio of Abdoulaye Konaté, another famous artist. He showed us his amazing “tapestries”; large textile works on geopolitical conflicts and issues.
We were all very impressed by his work and were happy and grateful that he took so much time to talk to us and explain his work.
– Maaike Lauwaert
We’re completing the complex business of checking 18 people out of the hotel and settling the bills. Those of us who are ready and packed meet in the lobby. In a short while we should start with the evaluation of the trip.
The evaluation has started!
It’s around 4:30 now, we’re back in the lobby of the hotel and just heard that our flight has a delay of 7 hours and that it might get worse. Haco rushed to the airport to find out what is going on and what we should do hotel-wise. More on that later I’m sure.
But let me get back to the evaluation. I want to start by saying that the whole group was really impressed with how well the trip was organised by Haco and Dilara. They did a great job in terms of making the program not too heavy, creating space for individual appointments with artists, making sure all went smoothly along the way and creating the perfect rhythm: Istanbul was fast-paced with a full schedule, Lagos was an intense two days and then finally Bamako was more relaxing. And of course, the rising temperature from one city to the next, sort of forced us to slow down. There is only so much one can do in 40+ degrees. The major achievement of course, is that you feel you have a sense of the art scene in these three very different cities. We all feel like we have an overview of the art scene, what goes on and what it means to be an artist in the three cities. Everyone thought the group was well-balanced and that the international guests and the people from Ghana made a huge difference in terms of perspective, depth of discussions and interesting exchanges. Also, the program was more interdisciplinary this year which was much appreciated. For many of the participants, traveling in a group is not something they do often or consider as the best way to see new places. However, traveling with international arts professionals turned out to be very rewarding because you can exchange expertise within the group. Besides praise, there were also a few suggestions for the next trip.
The main suggestions were:
– the participants felt that it would be good to have a few hours of plenary discussion on each city. General impressions, issues that came up during the visits, questions and remarks could then be dealt with in the group rather than individually or one on one.
– most people would have liked to know a bit more in-depth what everyone in the group was involved in. Of course, you talk a lot on the bus, waiting for the plane, during breakfast and dinner, but nevertheless it could be interesting to have a sort of pecha kucha style evening with short presentations that briefly outline the core of what everyone does, where they work, what their main interests and current projects are. It would be good to do this halfway through the trip when people know each other already a little bit.
– as is the case every year, this year as well there was the artists versus organisations -discussion. The focus of the visits is very much on organisations and art institutions. It is hardly possible to meet artists with such a large group. People agreed that you have to do your own research before you go on the trip and make individual appointments with the artists you would like to meet (and some in the group did that). Another idea could be to involve artists more closely in panel discussions, like the one we had with curators in Istanbul. Such a round tabel discussion could be held in every city; the discussion in Istanbul was very useful and insightful. Also, it was suggested that it could be good to have someone from the city you visit travel with the group in that city. That way you can ask questions as they come up and discuss issues more in-depth. The group from Ghana that joined us functioned much in that way and they introduced the perspective of a knowledgeable outsider.
Finally, I would like to stress again that it is very important that we all keep each other informed on projects that result from this trip. The follow-up is extremely important. As Rosina formulated it so beautifully, the real trip will begin once we get home.
– Maaike Lauwaert